Bach’s exhilarating Brandenburg Concertos—bursting with color, virtuosity, and fearless invention—take center stage across two vibrant programs that celebrate the joy of collaboration. Alongside these Baroque landmarks, music by our Composer-in-Residence Paul Wiancko and our Ensemble-in-Residence Imani Winds brings fresh energy to the conversation, proving that the spirit of innovation Bach embodied is still very much alive.

https://theconrad.org/events/brandenburgs-part-1/

Bach’s exhilarating Brandenburg Concertos—bursting with color, virtuosity, and fearless invention—take center stage across two vibrant programs that celebrate the joy of collaboration. Alongside these Baroque landmarks, music by our Composer-in-Residence Paul Wiancko and our Ensemble-in-Residence Imani Winds brings fresh energy to the conversation, proving that the spirit of innovation Bach embodied is still very much alive.

https://theconrad.org/events/brandenburgs-part-2/

Written in 1718, Handel’s first oratorio Esther is often noted as the first English oratorio and like many of his oratorios followed a story taken from the biblical narrative found in the book of Esther.

https://www.mountainsidebaroque.org/handels-esther

Written in 1718, Handel’s first oratorio Esther is often noted as the first English oratorio and like many of his oratorios followed a story taken from the biblical narrative found in the book of Esther.

https://www.mountainsidebaroque.org/handels-esther

Our season opens with four cantatas that display Bach’s artful inventiveness with the chorale melody, evinced in the carefully wrought musical architecture he builds within and around each. Together they lead us on a musical odyssey—from anticipation to plea, vigilance to fulfilled joy. Nun komm, der Heiden Heiland, BWV 61. At the program’s center stands the rarely heard Nimm von uns, Herr, BWV 101. Wachet auf, BWV 140, offers both animated and serene readiness in its similar chorale-based approach. Herz und Mund und Tat und Leben, BWV 147, concludes the program with joyful assurance, framing each part with the same chorale melody now cherished as “Jesu, Joy of Man’s Desiring.”

A special show where I will play both my alto and tenor violas!

https://bachconsort.org/events/chorale-architecture/

U.S. Premiere: the earliest known 
opera at the imperial court of Vienna, 
composed by the emperor himself.

I am very excited to be joining this group on Tenor Viola!

https://harmoniastellarum.com/

Glad to be back once again to play Viola d’Amore with Washington Bach Consort!

https://bachconsort.org/events/st-john-passion/

Another one of me pulling Viola and Viola d’Amore Duty!

https://www.mountainsidebaroque.org/st-john-passion

Organ Prelude
Sei gegrüßet, Jesu gütig, BWV 768

Cantata
Ich lasse dich nicht, du segnest mich denn, BWV 157

https://bachconsort.org/events/ich-lasse-dich-nicht-du-segnest-mich-denn-bwv-157/

Organ Prelude
Sei gegrüßet, Jesu gütig, BWV 768

Cantata
Ich lasse dich nicht, du segnest mich denn, BWV 157

https://bachconsort.org/events/ich-lasse-dich-nicht-du-segnest-mich-denn-bwv-157/